Nicole Starosielski, Braxton Soderman, Cris Cheek, “Network Archaeology”

Despite its fundamental gestures of expansiveness and openness, media archaeology might itself become a restrictive approach, if the "media" under analysis are taken to refer exclusively to artifacts related to the traditionally dominant┬ámass media of film, radio, and television. In their introduction to a┬áspecial issue of Amodern on "Network Archaeology," Nicole Starosielski, Braxton Soderman, and …

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